Law School Culture and the Lost Art of Collaboration: Why Don't Law Professors Play Well with Others?
In: Nebraska Law Review, Band 93, Heft 3, S. 547-591
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In: Nebraska Law Review, Band 93, Heft 3, S. 547-591
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In: European Integration Studies, Volume 15. Number 1. (2019) pp. 96-103
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In: Springer eBook Collection
This volume, written by his friends, collaborators and students, is offered to the memory of Paul Tunin. Most of the papers they contributed discuss subjects related to his own fields of research. The wide range of topics reflects the versatility of his mathematical activity. His work has inspired many mathematicians in analytic number theory, theory of functions of a complex variable, interpolation and approximation theory, numerical algebra, differential equations, statistical group theory and theory of graphs. Beyond the influence of his deep and important results he had the exceptional ability to communicate to others his enthusiasm for mathematics. One of the strengths of Turan was to ask unusual questions that became starting points of many further results, sometimes opening up new fields of research. We hope that this volume will illustrate this aspect of his work adequately. Born in Budapest, on August 28, 1910, Paul Turan obtained his Ph. D. under L. Fejer in 1935. His love for mathematies enabled him to work even under inhuman circumstances during the darkest years of the Second World War. One of his major achievements, his power sum method originated in this period. After the war he was visiting professor in Denmark and in Princeton. In 1949 he became professor at the Eotvos Lorand University of Budapest, a member of the Hungarian Academy of Sciences and a leading figure of the Hungarian mathematical community.
In Hungary, the measurement of ambient PM10-bound polycyclic aromatic hydrocarbon (PAH) concentrations is great importance for a number of reasons related to human health, the environment and compliance with European Union legislation. However, the monitoring of PAHs associated with PM2.5 aerosol fraction is still incomplete. Therefore, the main aim of this study was to investigate the concentration levels of PAHs in PM2.5 urban aerosol fraction. PM2.5 and associated PAHs were monitored in November 2014 in an urban site of Győr (Northwest Hungary). The aerosol samples were collected every day for 24-hours over two weeks with a high volume air sampler provided with a PM2.5 cut-off inlet. The levels of 19 PAH compounds associated with PM2.5 aerosol fraction were quantified by a gas chromatographic method. Polluted air quality for PM2.5 (>25 g/m3) was indicated in 50% of the collected samples. The total PAHs concentrations ranged from 2.1 to 37.3 ng/m3 with the mean value of 12.4 ng/m3. Indeno(123-cd)pyrene (IND) and sum of three benzofluoranthene isomers were the most dominant PAH species followed by benzo(ghi)perylene and benzo(a)pyrene (BaP). Using BaP-equivalent approach on the concentration data of carcinogenic PAH species, BaP, and IND contributed the highest carcinogenic exposure equivalent (1.50 and 0.24 ng/m3 on average). A selected number of concentration ratios of specific PAH compounds were calculated to evaluate the possible sources of PAH contamination. The ratios reflected that the major source of PAH compounds in the PM2.5 aerosol fraction of Győr during the study period was fossil fuel combustion from automobiles.
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In: Hungarian cultural studies: e-journal of the American Hungarian Educators Association, Band 10, S. 41-53
ISSN: 2471-965X
Immediately before and shortly after the collapse of socialism in 1989, a large number of private publishing houses were founded in Hungary. Some of them began their career by republishing the novels of selected popular Hungarian women writers of the preWorld War II era that had been banned following the Soviet occupation of the country in 1945. The lack of comprehensive literary criticism on the works of women authors drove the new publishers to rely on the so-called "oral canon" of collective memory, which had saved some of their names from oblivion. To grab the attention of prospective readers, the books selected for publication were provided with modern book cover designs, reflecting new, but still patriarchal values. After a brief overview of how prewar literature was censored after 1945, focusing on the editors' inevitable reinterpretation of the writings of Renée Erdős, Mrs. Kosáry Lola Réz, and Anna Tutsek through book cover designs, Kádár aims in this paper to survey in what ways and how successfully the re-editions of the novels by women writers have contributed to their inclusion in the literary canon since 1989.